IanB wrote:
I would of course argue in return that the Mary Chain sucked harder longer on the VU tit than Marillion ever did on Gabriel's but so much easier to go for the crowd pleasing jibe than actually listen to the music.
But the Mary Chain had exactly the same thing that Marillion had, a decent song at the heart of it, a tune buried under a mass of feedback or a bunch of keyboard frippery, thats why i still have my JAMC & Marillion lps but threw out the Pallas & Sex Gang Children lps years ago
IanB wrote:
Overall I think the problem is that I just can't get it up for the Spartist view of musical history. Reminds me too much of squats, dog eared copies of City Limits and Socialist Worker, snakebite, cat piss in the kitchen and the self-styled hipsters with plastic shoes, faux cockney Strummer accents and Lawrence Corner coats. 25 years later it's way too grim and self-limiting a world-view for a bourgeois fucker like me. Even Burchill and Parsons have let it go.
Happy new year.
sounds like a cliched view of the past, much the same as Wizards in Capes or Bondaged trews punks
Personally i'd rather listen to someone play 2 chords with a bit of passion and an idea of a song, than someone who knows his instrument up down and sideways but fails to realise that all the wankery in the world won't make his polished turd a decent song
btw happy new year 2u2
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