Julian Cope presents Head Heritage

Have a bit of a soft spot for "Are You Glad To Be In America?" and records from around that time but the everyone solos all the time thing is basically rocked-up Dixieland with, in some cases, a bit of 12 tone theory built on to it. It's basically Free Jazz with a firmer relationship to the core melodic line and usually a stricter rhythm than Free players would normally tolerate. So not based on chords or modes as such and leaning a lot more towards 4/4 and other standard time sigs. Not a bad thing itself but Ornette never really nailed down what Harmolodics are beyond that which kind of backs up my Dixieland goes electric theory.