"Scotch Corner" by Man. When the screeching,dual guitar solo kicks in, it makes me feel like leaping around the room like a 13-year old wannabe rockstar still. The (still undeniably brilliant) Television can kiss my ass. If all the best bits of "Marquee Moon" were condensed into one-and-a-half minutes worth of music, it would sound like this.
And Allen Ravenstine's one-note synthesizer drone at the start of "Non-Alignment Pact" by Pere Ubu. Somehow you know just from this one moment that the album's gonna be a masterpiece.
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