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Fitter Stoke 2611 posts |
Nov 11, 2011, 18:05
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Hmmm. The first sexing up I recall from the classical side of the industry was for the now totally forgotten Ofra Harnoy, a cellist of average talent but above-average aesthetic charm whom RCA pushed big time in the 80's. And she made the front cover of 'Gramophone' too, as did the equally eye-catching Lebeque sisters. Since then it's been hottie-a-go-go from both sexes, with nary a modicum of memorable artistry in evidence. Of course, none of this would matter jack shit if the great record buying public weren't so vulnerable to all such hype. I guess you only have to compare how many people buy Celibidache CD's against those who buy Katherine Jenkins CD's to work that out. Not that I would presume to question the good taste of the latter. Not much.
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Squid Tempest 8763 posts |
Nov 11, 2011, 19:01
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*Thread Diversion Warning* Thanks for the Nils, Fitter ;) The tracks seem to be in reverse order though, Jailbait first and Cry Tough last!
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Moon Cat 9577 posts |
Nov 13, 2011, 18:23
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Fitter Stoke wrote: Hmmm. The first sexing up I recall from the classical side of the industry was for the now totally forgotten Ofra Harnoy, a cellist of average talent but above-average aesthetic charm whom RCA pushed big time in the 80's. And she made the front cover of 'Gramophone' too, as did the equally eye-catching Lebeque sisters. Since then it's been hottie-a-go-go from both sexes, with nary a modicum of memorable artistry in evidence. . Whatever became of Vanessa Mae? She seemed to be all over the place awhile back. Shame she never did that tutorial DVD I suggested "Fiddling With..." (or "Fiddle with me")
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Moon Cat 9577 posts |
Nov 13, 2011, 18:26
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elegant chaos wrote: I've never written a review that was paid for in such a way - but a band I know who are still going had their album reviewed some years back in Melody Maker (I think). The reviewer actually gave them 9 out of 10 - but the editor downgraded it to 8 because the band (who owned their own label) didn't advertise it in the paper. That might explain why you sometimes see a review that seems to be glowing with praise but, if the mag uses a scoring system, the album gets given a 6/10 or somesuch. Same applies to slag offs that end up with a seemingly reasonable score. Hmmmm
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