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The Seth Man 1242 posts |
Sep 04, 2003, 16:10
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Exhibit M: For my father's response when he walked into the room midway through the violin bow solo in "Dazed And Confused" offa "Supershow" was playing ("You're going to fry your brains listening to that!")
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The Seth Man 1242 posts |
Sep 04, 2003, 16:11
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Exhibit N: For signing The Pretty Things to their Swan Song label
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The Seth Man 1242 posts |
Sep 04, 2003, 16:15
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Exhibit O: (Never mind Lothar & The Hand People) Pagey's theramin use on 'Whole Lotta Love"
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The Seth Man 1242 posts |
Sep 04, 2003, 16:18
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Exhibit P: John Paul Jones' use of mellotron on 'The Rain Song", but making it sound distinctly un-mellotronic and more like a string section
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The Seth Man 1242 posts |
Sep 04, 2003, 16:23
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Exhibit Q: Performing "Train Kept-A-Rollin'" as their first number together and discovering their outrageous musical chemistry And for performing a version just as kick ass 11 years later in Zurich, 1980
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cancer boy 977 posts |
Sep 04, 2003, 16:36
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And don't forget his gratuitous use of aftertouch on synthesizers as evidenced on the Knebworth bit of disk two. I suddenly realised what it was for after watching "Mr Wobbly Hand" in full flight.
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The Seth Man 1242 posts |
Sep 04, 2003, 16:41
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Exhibit R: The crushingly heavy, "THE WANTON SONG"
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The Seth Man 1242 posts |
Sep 04, 2003, 16:45
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Exhibit S: For pissing off "Rolling Stone" magazine
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The Seth Man 1242 posts |
Sep 04, 2003, 16:47
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Exhibit T: For the vicious, compactness that is "Communication Breakdown" AND for the backing vocals at the end, which I always do "air-hands-on-headphones- while-laying-down-the-backing-tracks" to
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The Seth Man 1242 posts |
Sep 04, 2003, 16:49
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Exhibit U: For the resurrection shuffle that is "In My Time of Dying"
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