Unsung Forum » Soundtracks of Our Lives week ending 10 October 2020 CE |
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1001realapes 2387 posts |
Edited Nov 01, 2020, 04:22
Oct 11, 2020, 05:14
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Jonathan Wilson - Dixie Blur Cotton Casino - The Reflection The Pigs - 1977 Satyricon - Dark Medieval Times Roky Erickson and the Aliens - The Evil One Grant-Lee Phillips - Virginia Creeper AC/DC - Highway to Hell David Bowie - best of bowie Steve Earle - Guitar Town Bee Gees - 2 Years On V.A. - Classic Blues Songs Vol. 17 (Blues Images)
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flashbackcaruso 1054 posts |
Oct 11, 2020, 11:49
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V/A - The Autumn Almanac (Ripples Vol. 3) Scott Walker - Scott Espers - Espers II Espers - Espers III XTC - English Settlement XTC - Mummer XTC - The Big Express The Dukes Of Stratosphear - 25 o'Clock The Dukes Of Stratosphear - Psonic Psunspot Thomas Dolby - The Golden Age Of Wireless (UK & US versions) Thomas Dolby - Blinded By Science Thomas Dolby - The Flat Earth Thomas Dolby - Aliens Ate My Buick Elton John - Empty Sky Elton John - Elton John Elvis Presley - Elvis (Fool) Elvis Presley - Raised On Rock Elvis Presley - Good Times Elvis Presley - As Recorded Live On Stage In Memphis Elvis Presley - Promised Land Elvis Presley - Today The Kingsbury Manx - Ascenseur Ouvert! The Kingsbury Manx - Bronze Age Yo La Tengo - May I Sing With Me Yo La Tengo - Painful Yo La Tengo - Electr-O-Pura Yo La Tengo - Genius + Love = Yo La Tengo Brian Wilson - Imagination Brian Wilson - Gettin' In Over My Head Brian Wilson - Presents Smile (the DVD of this is a valuable record of the landmark moment where Brian at 62 finally finished what he started at 24 and looks happy and engaged throughout. He and the band really put on a performance bringing a sense of fun to something that was formally a source of agony to its creator) Pet Shop Boys - Behaviour Orchestral Manœuvres In The Dark - Orchestral Manœuvres In The Dark Michael Nesmith - And The Hits Just Keep On Comin' Michael Nesmith - Pretty Much Your Standard Ranch Stash Michael Nesmith - The Prison Kaleidoscope - White-Faced Lady
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garerama 1110 posts |
Oct 11, 2020, 20:32
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The Apostles - Punk Obituary / Lives & Times Of ... The Beatles - Rubber Soul (original stereo mix) / Revolver Brainticket - Cottonwoodhill / Celestial Ocean Children Of Alice - S/t Ornette Coleman - Free Jazz Alice Coltrane - Infinite Chants / Glorious Chants Julian Cope - Rite / Autogeddon (25th anniversary box) / Rite 2 / An Audience With The Cope Queen Elizabeth - S/t Dope - Semi-Legal On The Edge Of Culture Current 93 - Nature Unveiled / Dogs Blood Rising / Live At Bar Maldoror / The Sadness Of Things (with Nurse With Wound) Miles Davis - In A Silent Way / Bitches Brew Gong - Rejoice: I'm Dead! / The Universe Also Collapses The Incredible String Band - Changing Horses / "U" Jesus & Mary Chain - Barbed Wire Kisses Jethro Tull - Aqualung Rahsaan Roland Kirk - Spirits Up Above: The Atlantic Years 1965-1976 The Mob - Let The Tribe Increase Pink Floyd - Atom Heart Mother / Meddle Public Image Ltd - Flowers Of Romance / Album Small Faces - Odgen's Nut Gone Celebrated Flake Spooky Tooth - It's All About / Sppoky Two David Sylvian - The First Day (with Robert Fripp) / Approaching Silence Synanthesia - S/t UB40 - Signing Off Underworld - Second Toughest In The Infants / Beaucoup Fish Zounds - The Curse Of Zoundz
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Fitter Stoke 2609 posts |
Oct 11, 2020, 20:35
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Elton John ‘Rock of the Westies’ - Reg’s rockiest album is a continental shift from ‘Captain Fantastic’ released only six months previously and, in its very different way, just as satisfying. The man’s work rate in the early-mid 70s was stupendous, with very few clunkers; Arctic Monkeys ‘Whatever People Say I Am, That’s What I’m Not’ - this just seems to sound better and better every year. If there’s been a more assured, enjoyable and consistent debut album in the last twenty years, I’d love to hear it; Aerosmith S/T - even though (like the first three Kiss LPs) it’s woefully under-produced, Aerosmith’s debut - and the two albums after it - always put a smile on my haggered face. I’ve far time for this era of the band than their sound-like-a-million-others metal of the 80s and beyond. There’s a directness and simplicity in their early material that is more distinctive and appealing than the cliched bore-rock that followed; Genesis ‘Wind & Wuthering’ - always a bit of an also-ran in their (mostly ace) 70s output, after 43 years I’m finally getting into this, especially Steve Hackett’s valedictory work on the second side. In fact, despite the occasional brilliance of ‘And Then There Were Three’ (if precious little thereafter) I’m inclined to consider the guitarist’s departure as even more calamitous than that of Peter Gabriel two years earlier. Discuss; Can ‘The Singles’ - a slightly redundant set to those of us with all of the albums, but it’s good to hear some of the tracks in their single edits as well as noting how downright catchy their simpler material could be. In an ideal world, ‘Moonshake’ would be an eternal dance floor filler; Ultravox! ‘Ha! Ha! Ha!’ - one of the most unsung albums of 1977, seamlessly blending dystopian fantasy with great tunes and raw punk energy. I have very fond memories of seeing the band delivering this classic record at the Newcastle Mayfair one Friday night in January 1978 whilst ducking beer glasses thrown by disgruntled metalheads from the balcony. I say ducking, but one glass hit John Foxx square on the bonce. To his credit, he just carried on, unlike his wimpier successor (then fronting the Rich Kids) who stormed off the same stage a few weeks later; Boz Scaggs ‘Middle Man’ - shares the same slick, blue-eyed soul feel of ’Silk Degrees’ but with better songs, I think. Features the members of Toto, but don’t let that put you off; Heart ‘Little Queen’ - before their descent into big-hair 80s blandness (c.f. Aerosmith), Heart were a damn fine rock band with a distinctly Zep-like vibe, including their acoustic side. This is their finest hour, methinks. Includes the classic ‘Barracuda’; UFO ‘Phenomenon’ - played this last week too, but it’s too good to just put away and forget for another couple of years. To be honest, I could quite easily go through life without hearing ‘Doctor Doctor’ or ‘Rock Bottom’ again, but the rest of this breakthrough album is every bit as good as those overplayed songs IMHO; Various ‘Dance Craze’ - great fun live 2-Tone comp from 1981; Dave Brubeck Quartet ’Newport 1958’ and ‘Jackpot’ - two live albums from the classic lineup (Joe Benjamin on ’Newport’ excepted), the latter being one of their final appearances in 1966. Surprisingly, it’s the earlier set which sounds best, both sonically and musically, not that ‘Jackpot’ is rarely less than good. Flat sound and an out-of-tune piano don’t help though; Ravel: La valse (LAPO/Zubin Mehta) - this 1960s Decca recording is one of the most vibrant and thrilling things I’ve ever heard in any genre. To be fair, it’s such an exciting work that I’ve never heard a disappointing version, but in this instance the then young Mehta and his Los Angeles forces conjure up a truly irresistible whirlpool of chaotic wonderment, particularly at the work’s manic climax, stunningly captured by the Decca engineers. This really is the shit, and I’d recommend it to anyone, even classical naysayers; Beethoven: Fidelio Overture, Berlioz: Symphonie fantastique and Tchaikovsky: Francesca da Rimini (all Lamoureux/Markevitch) - great readings, especially the Berlioz and Tchaikovsky which, like the aforesaid Ravel piece, have tremendously exciting finales; Mozart: Flute & Harp Concerto, K 299 (Orch of 18th Century/Brueggen) - delightful music, delightfully rendered: original instruments without acidity; Cecilia McDowell, Bob Chilcott and Judith Weir: Choral Works (Bristol Choral Soc/Hilary Campbell a.o.) - this excellent new release, titled ‘The Big Picture’ after Weir’s featured piece, is a superbly performed showcase of contemporary British choral music. If that sounds like your dab, I thoroughly recommend it. I enjoyed this immensely; Francis Jackson: Sacred Choral Works (Exon Songers/Matthew Owens) - at a sprightly 103, Francis Jackson, former York Minster organist and composer of some mightily impressive choral music, is still with us. This is a but a small selection of his fine compositions for choir and (sometimes) organ, immaculately recorded; Francis Jackson: Great Cathedral Organs - a memorial of the above’s supreme talent as an organist in works by Nares, Wesley, Bossi, Cocker (not Joe or Jarvis) and Willan, played on the vast York Minster organ in the mid-1960s. Rock and roll (not); Willam Mundy: Vox Patris Caelestis (Tallis Scholars/Phillips) - from the Tallis’ classic first release back in 1980, and still a monument of acappella artistry; Finally, two decent chamber performances that enriched a dull morning in semi-lockdown: Beethoven: String Trio in D, Op.9 no.2 (Kodaly Quartet) Bliss: Oboe Quintet (Tale Quartet & Gordon Hunt)
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jb lamptoast-morsley 2447 posts |
Oct 11, 2020, 21:57
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a fair bit of Coil: Astral Disaster How to Destroy Angels (my least favourite) Transparent The New Backwards Live in Moscow Time Machines (my most favourite) PJ Harvey - To Bring you my love Herbaliser - Something Wicked this way comes Holy Sons - Decline of the West
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Vybik Jon 7717 posts |
Oct 11, 2020, 23:17
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Fitter Stoke wrote: Genesis ... despite the occasional brilliance of ‘And Then There Were Three’ [I'd have 'Duke' categorised the same and in my ears that's the last useful album] I’m inclined to consider the guitarist’s departure as even more calamitous than that of Peter Gabriel two years earlier I think I'm with you on that. In the studio, Mike Rutherford never made it as a lead guitarist for me while, live, Daryl Stuermer could only ever replicate (and he did that very well). Having seen a couple of Steve Hackett's live shows where he plays a Genesis album in it's entirety - yeah, he was a massive loss and the rot set in when he left.
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keith a 9572 posts |
Oct 12, 2020, 17:42
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Semi-Legal On The Edge Of Culture - Dope Sings Big Bill - Muddy Waters At Newport - Muddy Waters Moanin' In The Moonlight - Howlin' Wolf S/T – Howlin' Wolf
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