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The Modern Antiquarian Forum » England » Edward Thomas - centenary year of death |
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spencer 3071 posts |
Apr 07, 2017, 03:13
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My grandad on my father's side died young from a dodgy ticker and I missed him by sixteen years...Dad kept his books, now I have them. He loved Davies and Thomas, it seems. I wish we'd met..in a way I know him through his books. From what I've learnt from my much loved 'Auntie Joan' - in reality my second cousin and the last extant mutual relative, he was a very nice quiet man. Am increasingly of the opinion one of my twin daughters is very much a chip off the same block. Genes, eh? Know people through their record collections, know them through their libraries..she'll be getting mine, including those Davies and Thomases. On it goes..
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moss 2897 posts |
Apr 07, 2017, 10:12
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My favourite poem, probably of all time. With apologies. Lob - Edward Thomas AT hawthorn-time in Wiltshire travelling In search of something chance would never bring, An old man's face, by life and weather cut And coloured,--rough, brown, sweet as any nut,-- A land face, sea-blue-eyed,--hung in my mind When I had left him many a mile behind. All he said was: "Nobody can't stop 'ee. It's A footpath, right enough. You see those bits Of mounds--that's where they opened up the barrows Sixty years since, while I was scaring sparrows. They thought as there was something to find there, But couldn't find it, by digging, anywhere. "To turn back then and seek him, where was the use? There were three Manningfords,--Abbots, Bohun, and Bruce:And whether Alton, not Manningford, it was, My memory could not decide, because There was both Alton Barnes and Alton Priors. All had their churches, graveyards, farms, and byres, Lurking to one side up the paths and lanes, Seldom well seen except by aeroplanes; And when bells rang, or pigs squealed, or cocks crowed, Then only heard. Ages ago the road Approached. The people stood and looked and turned, Nor asked it to come nearer, nor yet learned To move out there and dwell in all men's dust. And yet withal they shot the weathercock, just Because 'twas he crowed out of tune, they said: So now the copper weathercock is dead. If they had reaped their dandelions and sold Them fairly, they could have afforded gold. Many years passed, and I went back again Among those villages, and looked for men Who might have known my ancient. He himself Had long been dead or laid upon the shelf, I thought. One man I asked about him roared At my description: "'Tis old Bottlesford He means, Bill." But another said: "Of course, It was Jack Button up at the White Horse. He's dead, sir, these three years." This lasted till A girl proposed Walker of Walker's Hill, "Old Adam Walker. Adam's Point you'll see Marked on the maps.""That was her roguery, "The next man said. He was a squire's son Who loved wild bird and beast, and dog and gun For killing them. He had loved them from his birth, One with another, as he loved the earth. "The man may be like Button, or Walker, or Like Bottlesford, that you want, but far more He sounds like one I saw when I was a child. I could almost swear to him. The man was wild And wandered. His home was where he was free. Everybody has met one such man as he. Does he keep clear old paths that no one uses But once a life-time when he loves or muses? He is English as this gate, these flowers, this mire. And when at eight years old Lob-lie-by-the-fire Came in my books, this was the man I saw. He has been in England as long as dove and daw, Calling the wild cherry tree the merry tree, The rose campion Bridget-in-her-bravery; And in a tender mood he, as I guess, Christened one flower Love-in-idleness, And while he walked from Exeter to Leeds One April called all cuckoo-flowers Milkmaids. From him old herbal Gerard learnt, as a boy, To name wild clematis the Traveller's-joy. Our blackbirds sang no English till his ear Told him they called his Jan Toy 'Pretty dear.'(She was Jan Toy the Lucky, who, having lost A shilling, and found a penny loaf, rejoiced.) For reasons of his own to him the wren Is Jenny Pooter. Before all other men 'Twas he first called the Hog's Back the Hog's Back. That Mother Dunch's Buttocks should not lack Their name was his care. He too could explain Totteridge and Totterdown and Juggler's Lane: He knows, if anyone. Why Tumbling Bay, Inland in Kent, is called so, he might say.
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tjj 3606 posts |
Edited Apr 07, 2017, 17:46
Apr 07, 2017, 13:42
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Thank you for posting 'Lob' here Moss. All contributions much appreciated.
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tjj 3606 posts |
Apr 08, 2017, 16:25
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moss wrote: And then there is this, when he was in Cornwall.... "On every hand lies cromlech, camp, circle, hut and tumulus of the unwritten years. They are confused and mingled with the natural litter of a barren land. It is a silent Bedlam of history, a senseless cemetery or museum, amidst which we walk as animals must do when they see those valleys full of skeleton where their kind are said to go punctually to die. There are enough of the dead; they outnumber the living, and there those trite truths burst with life and drum upon the typpanum with ambiguous fatal voices. At the end of this many barrowed moor, yet not in it, there is a solitary circle of grey stones, where the cry of the past is less vociferous, less bewildering, than on the moor itself, but more intense. Nineteen tall, grey stones stand round a taller, pointed one that is heavily bowed, amidst long grass and bracken and furze. A track passes close by, but does not enter the circle; the grass is unbent except by the weight of its bloom. It bears a name that connects it with the assembling and rivalry of the bards of Britain. Here, under the sky, they met, leaning upon the stones, tall fair men of peace, but half warriors, whose songs could change ploughshares into sword. Here they met, and the growth of the grass, the perfection of the stones(except that one stoops as with age), and the silence, suggest that since the last bard left it, in robe of blue or white or green - the colours of sky and cloud and grass upon this fair day - the circle has been unmolested, and the law obeyed which forbade any but a bard to enter it........And the inscription on the chair of the bards of Beisgawen was "nothing is that is not for ever and ever" - these things and the blue sky, the white, cloudy hall of the sun, and the green bough and grass, hallowed the ancient stones, and clearer than any vision of tall bards in the morning of the world was the tranquil delight of being thus ' teased out of time' in the presence of this ancientness,.... The stone circle is Boskawenun of course. I didn't realise the above passage was from Edward Thomas's book The South Country. Came across it last night - is preceded by this: "The old roads dive among still more furze and bracken and bramble and foxglove, and on every side the land grows no such crop as that of grey stones. Even in the midst of occasional cornfield or weedless pasture a long grey upright stone speaks of the past. In many places men have set these stones, roughly squaring some of them, in the form of a circle or in groups of circles - and over them beats the buzzard in slow hesitating and swerving flight. In one place the work of Nature might be mistaken for that of man. On a natural hillock stands what appears to be the ruin of an irregularly heaped wall of grey rock, roughened by dark-grey lichen, build of enormous angular fragments like the masonry of a giant’s child. Near at hand, bracken, pink stonecrop, heather and bright gold tormentil soften it; but at a distance it stands black against the summer sky, touched with the pathos of man’s handiwork overthrown, yet certainly an accident of Nature. It commands Cape Cornwall and the harsh sea, and St. Just with its horned church tower. On every hand lie cromlech, camp, circle, hut and tumulus of the unwritten years ....."
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