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moss 2897 posts |
Oct 02, 2008, 15:06
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It works on 'real player', though perhaps he could have thought of better graphics... ;)
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nigelswift 8112 posts |
Oct 02, 2008, 15:49
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... though perhaps he could have thought of better graphics... ;) We're talking gaming enthusiast here, not megalithomaniac. An entirely different type of nerd!
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nigelswift 8112 posts |
Oct 20, 2008, 14:50
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I've been distressed that this list doesn't have a poem about the Stonehenge hedgehog. Fortunately I've found one, and it may give a clue to why hedgehogs were so revered in ancient times - http://www.traditionalmusic.co.uk/song-midis/Hedgehog_Song.htm
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Littlestone 5386 posts |
Oct 20, 2008, 19:07
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Ha! Wonderful :-)
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tonyh 247 posts |
Oct 27, 2008, 12:28
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A NEOLITHIC MEDITATION They'd have handed you a hide sack and a cow's shoulderblade to shovel with here, and sentenced you to daily quotas from the gravel pit or a sod-field past its prime, or with better luck, to paddling a dugout down the Boyne where that salmon and its wisdom was always beyond the spearhead. Out of the overseer's eye you'd be able to pace yourself until you returned with a boatload of white stone for enhancing this burial mound's face. Full of noose-around-the-neck wisecracks, you'd have been an unwilling toiler, envying the horse its stamina, the hare its jagged speed over broken fields, and bog cotton its deference to wind on peatlands against blue mountains, where it crowds white-headed as ancient peasants herded off the best grazing, enduring as if they'd do better as plants hoarding minerals through winter, hairy prodigals spinning existence from clouds, from mistfall two days out of three, the odd shoal of sun drifting across. If you've come here for your roots, lay an ear at grazing level, down where even the sheep-splats awry on stones are beginning to raise moss, the level of folk wisdom, where maybe you'll hear, "Need teaches a plan," or "Better to live unknown to the law." © by Brendan Galvin
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moss 2897 posts |
Edited Nov 30, 2008, 10:45
Nov 30, 2008, 10:39
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Jeremy Hooker wrote of this poem that he was inspired by Paul Nash's paintings of the daylight moon, something that you will see from November, if you are up early enough that is, is the moon high in the sky with the sun to the east breaking the horizon. I first saw it inland, Suddenly, round white sides Rose through the thin grass And for an instant, in the heat, It was dazzling; but afterwards I thought mainly of darkness, Imagining the relics of an original Sea under the chalk, with fishes Beneath the fields. Later, Everywhere upon its surface I saw the life of the dead; Circle within circle of earthen Shells, and in retrace curves Like finger marks in pale sand, The print of a primaeval lover. Once, climbing a dusty track, I found a sunshaped urchin, With the sun's rays, white With the dusts of the moon, Fetish, flesh become stone, I keep it near me. It is A mouth on darkness, the one Inexhaustible source of re-creation
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albion 25 posts |
Nov 30, 2008, 23:44
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I wrote this a few years ago after an inspiring visit to Boscawen-Un. It won the Morris Cup (for best poem on a Cornish subject) in the 2003 Gorsedd, and was read aloud on BBC's Radio Cornwall. Boscawen-Un, 30 October, Midnight This black hood , pierced by stars, hangs about our heads, a warm drapery, pressing down like stones Upon the breasts of unrepentant witches. The hallowed dew darkens our clothes, torn as we plundered the gorse hedgerow, branches tittering, alive with nightbirds, (it blooms gold, but is russet red now, humbled in its descent to winter). We flung ourselves upon this windblown heath, attracted by dolmens, by demons, by the mad epiphanies of a drunken dowser, into this court of kings and ghosts and dancing maidens, outlaws of heaven, time-keepers of earth. Our hearts are become stone, throbbing, laughing, older than books, wordless, hewn by barley sheaves, and kissed, blessed, by cusp-born acolytes. In daylight, we would be as bluebottles crushed upon a rough sundial, consumed in powdered heat then lapped up by some lumpen hairy splitfoot throwback, but now, we are time itself, we gaze into deathless depths, and see the pointed horns of bulls, the gleaming eyes of archers, the stag and the serpent, blood of the warrior, wine of the mother, the dust of stars that swirls down paths of ancestor glory, cosmic ley lines linking planets to moons, summer to autumn, heart joined to heart, and lip to lip, confounding childhood lessons of the sky. copyright 2003 by Peg Aloi
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nigelswift 8112 posts |
Dec 01, 2008, 06:30
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Bravo! Any more?
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Littlestone 5386 posts |
Dec 01, 2008, 10:39
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Thanks for those, moss and albion - excellent stuff. albion, if you'd like me to move your poem over to the Megalithic Poems blog here http://megalithicpoems.blogspot.com/ sometime please let me know.
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Littlestone 5386 posts |
Dec 10, 2008, 21:22
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Beaucoup d’hommes sont venus, Sont restés. Terre d’ossements, Poussière d’ossements. Il y avait donc L’appel de Carnac. Comment chantaient-ils, Ceux des menhirs? Peut-être est-ce là Qu’ils avaient moins peur. Centre du ciel et de la mer, De la terre aussi, La lumière le dit. Chantant, eux, Pas loin de la mer, Pour être admis par la lumière. Regardant la mer, Lui tournant le dos, Implorant la terre. Eugène Guillevic Many men have come, Have stayed. Land of bones, Powdered bones. Thus there was the call of Carnac. How did they sing, The menhir-people? Perhaps it was there They knew less fear. Centre of the sky and of the sea, Of the land as well, The light says it. Singing, they were, Not far from the sea, To be let in by the light. Beholding the sea, Turning their back to it, Imploring the land. Eugène Guillevic. Translated by John Montague
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