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Hob 4033 posts |
Mar 22, 2008, 17:11
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I think this one counts as megalithic (it actually includes the word itself), Heaney's 'Funeral rites' makes mention of The Boyne tombs and even cup-marked rocks (H'rah!)
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Littlestone 5386 posts |
Mar 23, 2008, 15:39
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Hob wrote: I think this one counts as megalithic (it actually includes the word itself), Heaney's 'Funeral rites' makes mention of The Boyne tombs and even cup-marked rocks (H'rah!) Nice one Hob. That makes at least four poems on the megalithic theme by Seamus Heaney; his A Dream of Solstice here at http://www.themodernantiquarian.com/forum/?thread=23046&message=259467 is still my favourite though (think there are a few typos in there that I'll sort out eventually). Happy Eostere to everyone by the way :-)
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Chris Bond 19 posts |
Mar 23, 2008, 19:23
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I awake to darkness. Cold damp slabs of stone on all four sides, and above. In time I see the faint glow as granite is pressed upon by the tons of earth above me. I feel the random shards of quartz pulse in unison. Beside me lies a flawless greenstone axe, never used in labour, or in anger. I wail a banshee wail, but beyond, the moor is dark and vast, devoid of man. And the chill wind blows through the hooting carn camouflaging my efforts. There is no escape. I lie in a foetal position and shiver, and await my death. Finally, the juddering ceases. The body lies still, and time hangs on a single heartbeat. The darkness expands, and with it time. I see my bones dissolve in the acid liquor. I see men who wallow in abundance and pillage for more. I see a time when knowledge is a commodity to be jealously guarded, then sold to the highest bidder. I see the bare bones of the granite quoit toppled and forlorn. I see the axe no more. Chris Bond, 25 February 2001.
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gjrk 370 posts |
Mar 24, 2008, 00:30
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Wonderful. You've captured both the loneliness and the long lingering. It's the feeling that I often get from a monument, whether isolated or not.
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Chris Bond 19 posts |
Mar 24, 2008, 14:39
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Thrice imprisoned I have been Willingly and boldly keen Wed to powders golden brown A task once set to earn my crown I await the day of liberation Of capitalist capitulation My hand to let the penny drop And meek and poor will loot this shop In days of olde the druids spoke Of mistletoe beneath the oak A golden sickle reaps the bough Aft’ plenilune beneath the plough The sword in stone is metaphor A secret hidden on the moor Of unhewn dolmen I will sing To free this once and future king And when the poets sing the Chûn And resonate beneath the moon The son will rise on solstice morn And divine child will be reborn I am Mabon, sun of earth And moon and stars, my cosmic birth Was long foretold in Celtic ode A catalyst in cobalt woad Chris Bond, 21 August 2000.
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Psychicmaster 6 posts |
Mar 29, 2008, 23:35
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Trudging in Autumnal heat to visualise ancestor's feat, of engineering, they knew how, I wonder why, don't know right now, The "Busy people" Ancient folk knew how to toil, their Gods, their yolk, but they were free in many ways, than we, the slaves of debt and broke, I capture pictures in the box, to paw, enhance, rotate, the lot But when I see pixels abound, I know I travelled sacred grounds, for their Gods call through nature's stone, I will return, never alone. Jonathan Sansome
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Psychicmaster 6 posts |
Mar 30, 2008, 00:13
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P.s. This poem was inspired by one of my visits to Silbury Hill. Psychicmaster wrote: Trudging in Autumnal heat to visualise ancestor's feat,
of engineering, they knew how, I wonder why, don't know right now, The "Busy people" Ancient folk knew how to toil, their Gods, their yolk, but they were free in many ways, than we, the slaves of debt and broke, I capture pictures in the box, to paw, enhance, rotate, the lot But when I see pixels abound, I know I travelled sacred grounds, for their Gods call through nature's stone, I will return, never alone. Jonathan Sansome
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Psychicmaster 6 posts |
Mar 30, 2008, 00:13
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P.s. This poem was inspired by one of my visits to Silbury Hill. Psychicmaster wrote: Trudging in Autumnal heat to visualise ancestor's feat,
of engineering, they knew how, I wonder why, don't know right now, The "Busy people" Ancient folk knew how to toil, their Gods, their yolk, but they were free in many ways, than we, the slaves of debt and broke, I capture pictures in the box, to paw, enhance, rotate, the lot But when I see pixels abound, I know I travelled sacred grounds, for their Gods call through nature's stone, I will return, never alone. Jonathan Sansome
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Psychicmaster 6 posts |
Mar 30, 2008, 00:13
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P.s. This poem was inspired by one of my visits to Silbury Hill. Psychicmaster wrote: Trudging in Autumnal heat to visualise ancestor's feat,
of engineering, they knew how, I wonder why, don't know right now, The "Busy people" Ancient folk knew how to toil, their Gods, their yolk, but they were free in many ways, than we, the slaves of debt and broke, I capture pictures in the box, to paw, enhance, rotate, the lot But when I see pixels abound, I know I travelled sacred grounds, for their Gods call through nature's stone, I will return, never alone. Jonathan Sansome
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moss 2897 posts |
Mar 30, 2008, 08:37
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Welcome Jonathan, I see Silbury has inspired you to write a reflective poem, it will be added to this enormously long stash of megalithic poems. I've just found, Jeremy Hooker's "Soliloquies of a Chalk Giant" Its the Cerne Abbas Giant.... Totem; Where are the giant's people? They have followed the mole Under mounds. The Dance Is a ring of stones. Soon there will be nothing But a breeze gathering dust Over pale fields, a maze Of ditches scored on the hill. Unless a man stand naked Of all but imagination. Let him discover me. I rise through him Or lie here and wait, Scratched in the chalk.
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