How did Alison's voice sound at Meltdown? Always found her singing pretty unique. Those effortless girlish sing-speak intonations married with Moxham's ominous bass riffs were a perfect combination. I also adore Statton's work on that lone Weekend album, and Moxham's band The Gist from around the same time had a pretty unique and very human take on the synth pop thang. Always nice to hear new Louis Philippe offerings, so there is that consolation (he's the most lovely male singer and arranger out there, so look him up if you haven't).
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