stray wrote:
Edit Ha, Um ah.. Basically I'm doing the same thing you describe. Whereas when you get to the production stage it goes back to liquid, all I've done is made the edit liquid again, as it should be.. um.. but again, that's my work flow and the work produced must be mirroring or revealing it to some degree.
I am sure someone somewhere has a doctoral thesis about this very subect on the go as we write.
Essentially Pro Tools et al are an aggregation of manuscript paper, notation, tape and recording console into a chain of decisions represented in a succession of 2D snapshots. The portability and flexibility are undeniable. What do we lose working this way? Interesting question.
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