Any of the beautiful RA in Galloway. The effect of water, torch, flash, moonlight etc sometimes seem (to me) to point at some kind of nocturnal use. Many of the carvings are almost (or totally) invisible during the flat light of day.
Favourites are the Lagganmullan panels (there's a lot of them scattered across half a dozen fields) because of ease of access in the dark. A winter contender this year is the "spider" motif at Barharrow. I'd love to get a nice illuminated shot of that beastie in the dark.
http://www.themodernantiquarian.com/post/101909/barharrow.html
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